New York Open Basketball Gym

relational lockout

lockout relational - music as social space

Thursday, 15. July
Opening: 18:30
Begin of panel discussion: 19:00
concert: ca. 21:00
 
Avantgarde and youth culture: radical action or market differentiation?
 
Martin Büsser
Michael Wertmüller 
Thomas Mahmoud 
Achim Szepanski
Stefan Tcherepnin
Lars Becker
Peter Pawlicki
Anne Imhof
 
 
Noise, drone, improv – are these newly invigorated musical strategies a sign of the formation of a youth culture again fundamentally disapproving the commodity rationale or is it more a postmodern playful and romantic manipulation of signs, forms and channels of commoditized culture and past media types?
 
Martin Büsser co-founded the Ventil-Verlag publishing house as well as the book series "Testcard - Beiträge zur Popgeschichte" (Testcard - contributions to pop history). He has written many books on pop history and pop theory.
Michael Wertmüller is a sought-after composer whose works are being performed at big festivals for New Music. He also plays Free Jazz with people like Peter Brötzmann. Thomas Mahmoud celebrated successes with his band von spar. Together with Wertmüller and Marino Pliakas he founded the avantgarde-band Ives#1. Stefan Tcherepnin is a composer and musician. He works amongst other with Ei Arakawa and Merlin Carpenter. Szepanski published "Soundcultures" and founded Force Inc. und Mille Plateaux. Lars Becker und Peter Pawlicki have founded the relational micro-nexus KACHELTISCH and organize the event.
 
concert: Thomas Mahomoud and Michael Wertmüller; Blake Fuchs
 
 
Friday, 16. July
Begin of panel discussion: 19:00
concert: ca. 21:00
 
Improvisation: plays, rules, technologies and communication 
 
Institut für Feinmotorik
Felix Klopotek
 
Improvisation is a way of creating/demolishing rules and communication structures within the process of instant composing. How do technologies (new/abused interfaces, new/abused audio generators), and spaces affect personal relations to the other musicians take?


The Institute for Research with its fine motor Octogrammoticum the improvisation with record players since the mid 1990s. On their tours they have played in the Center for Art and Media Technology (ZKM) in Karlsruhe and Goethe Institute in Buenos Aires. Felix writes for Klopotek Jazzthetik Spex and Test Card, in 2002 he published the book "How they do it. Free jazz, improvisation and no music. " He Operates the label Rough currently producing the most important improvisational music.

concert: Institute of fine motor




Saturday, 17. July
Begin of panel discussion: 19:00
concert: ca. 21:00
 
Leisure, fun and power play: the history of music – from sacred to commodity?
 
Achim Wollscheid
Lars Becker, Peter Pawlicki
Thomas Mahmoud
 
The use of music openly as an instrument in (micro-)politics of power has apparently changed to more subtle forms of music as a way to dampen social frictions. Although this does not exclude the possibility of transgression of the commodity rationale it makes the boundaries to be crossed less visible.
 
Achim Wollscheid is media artist, focusing in his works with sound, light and space and their interfaces
 
concert: Achim Wollenberg; workshop band

__________________________________________________________________________________________________________________

lockout relational - music as social space

Thursday 15 July
Opening: 18:30 clock
beginning of the panel discussion: 19:00 clock
Concert: about 21:00 clock

The event will be held in English.

avant-garde and Youth Culture: Radical action or market differentiation?

Martin Büsser
Michael Wertmuller
Thomas Mahmoud
Achim Szepanski
Stefan Tcherepnin
Lars Becker
Peter Pawlowski
Anne Imhof

noise, drone, improv - these are some recently revived partially refined musical strategies indicative of the formation of a youth culture that rejects again fundamentally the commodity society, or is it more of a postmodern, playful and romantic manipulation of characters, forms and channels of commodified culture and past media formats?

Büsser Martin is co-founder of Valve and publisher of the book series "Test Card - contributions to pop history." Numerous books on the history of pop and pop theory were written by him. The classically trained multi-instrumentalist Michael Wertmuller is a popular composer, whose works on major festivals of new music are listed. He also plays free jazz with such illustrious figures such as Peter Brötzmann. Thomas Mahmoud has enjoyed success as a singer with his band from Spar. Together with Wertmueller and Marino Pliakas he founded the avant-garde band Ives # 1 Stefan Tcherepnin is a composer and musician. He worked with Ei Arakawa and Merlin Carpenter together. Szepanski is editor of "Sound Cultures" and founder of Force Inc. and Mille Plateaux. Lars Becker and Peter Pawlicki are founders of the relational micro-TILE TABLE Nexus and organizers of the event.

Concert: Thomas and Michael Mahomoud Wertmueller, Blake Fox


Friday 16 July
beginning of the panel discussion: 19:00 clock
Concert: about 21:00 clock

The event will be held in English.

improvisation: games, rules, technologies and communication

Institute of fine motor
Felix Klopotek

improvisation is a way of rules and structures of communication in the course of, establishing instant composing 'and destroy. What impact this practice technology (new abused / interfaces, new abused / audio generators, etc.), premises and personal relations between the Musicians?

research, the Institute of fine motor skills since the mid-90s with his Octogrammoticum improvisation of record players without records. On their tour they played at the Center for Art and Media Technology (ZKM) in Karlsruhe and at the Goethe Institute in Buenos Aires. Felix writes for Klopotek Jazzthetik Spex and Test Card, 2002, he published the book "How they do it. Free jazz, improvisation and no music. " As the operator of the record label Rough produced Klopotek the sizes of improvised music.

concert: Institute of fine motor


Saturday 17 July
beginning of the panel discussion 19:00 clock
Concert: about 21:00 clock

The event will be held in English.

leisure, fun and power game: the history of music

Achim Wollscheid
Ted Geier
Lars Becker, Peter Pawlicki
Thomas Mahmoud

The open use of music as an instrument (micro-) political power was apparently of more subtle forms of music as a way to curb social tensions, repressed. Although this is not the solution to overcome the logic excludes recovery, it makes it to the border boundaries less visible.

Achim Wollenberg is a media artist, who in his Work for 20 years working with sound, light, space and their interfaces.
Ted Gaier is a German musician, producer and performer. Ted Gaier is a founding member and still lyricist, bassist, guitarist and keyboard player of the Golden Lemon, a band from Hamburg.
Concert: Achim Wollenberg; Workshop Band

How To Make Sweet Popcorn With Popcorn Maker

"THE END-OF-YEAR PROGRAMME"

the Städelschule ARCHITECTURE CLASS PRESENTS:
"THE END-OF-YEAR PROGRAMS"
from 7 - July 9, 2010


OPENING HOURS OF THE EXHIBITION
THURSDAY, FRIDAY AND SATURDAY, 8-24 12:00 to 19:00 July
IN THE DIAMOND EXCHANGE, PO 1-3, FRANKFURT AM MAIN
The
Städelschule Architecture Class (SAC) presents the END-OF-YEAR PROGRAM.
The project SYNTHESIS OF THE NATURE AND ARCHITECTURE, present the students from Wednesday, 7.07 to Friday, 09/07/2010 the master thesis and course work in the diamond exchange, Stephan Strasse 1-3, Frankfurt.
The works will be made afterwards in the same premises of the interested public for three weeks available.
The master thesis work are designs for the Olympic Media Village - Porto Maravilha in Rio de Janeiro. The task is to design a building with mixed use in the urban context of the Olympic Media Village Games 2016.
The work of the first SAC-year, architectural designs for a country house and represent the results of one year individual research and experiments for students.
The jury of the presentation consists of a fine selection of international architects and architecture critics. On the work of the students discuss among other things, Professor Ben van Berkel, SAC Dean, Professor Dr. Johan Bettum SAC Program Director, Professor Beatriz Colomina Ph.D., Princeton University, Professor Eduardo Ferroni, Director of Touring Programs, Escola da Cidade, Sao Paolo , Assistant Professor Carla Juaçaba, Pontifícia Universidade Católica do Rio de Janeiro, Professor Jeffrey Kipnis, The Ohio State University, University of Applied Arts (Vienna), Professor Achim Menges, Stuttgart University, Professor Ciro Pirondi, Director Escola da Cidade, Sao Paolo. Professor Alvaro Puntoni, Pedagogic Coordinator Escola da Cidade, Sao Paolo, Ph.D. Professor Mark Wigley, Dean Columbia University Graduate School of Architecture, Planning and Preservation

Other programs:

Thursday, 07.08. - 18:15 Presentation of the
Günter Bock Prize.
the fourth consecutive year of Günter Bock Prize is awarded to a student the first year for outstanding performance. The prize is donated by the Lions Club Frankfurt airport and through the speakers of the Dean's Honorary Lecture, Prof. Jeffrey Kipnis presented.

Thursday, 08.07. - 18:30
DEAN'S HONORARY LECTURE:
Jeffrey Kipnis
The Dean's Honorary Lecture 2010 by world-renowned architectural theorist and critic Jeffrey Kipnis, professor at Ohio State University Department of Architecture and visiting professor at the GSD, Harvard, GSAPP, Columbia and Distinguished Visiting Professor at the University of Applied Arts, Vienna, held

Thursday, 08.07. - 16:30 Opening

SYNTHESIS OF THE NATURE AND ARCHITECTURE PANORAMA OF CONTEMPORARY BRAZILIAN ARCHITECTURE + 'THE COUNTRY HOUSE' AND 'THE MEDIA VILLAGE '
laudatory: PROFESSOR BEN VAN BERKEL, DEAN SAC LECTURE: PROFESSOR CIRO PIRONDI, DIRECTOR ESCOLA DA CIDADE

The Städelschule Architecture Class (SAC), the exhibition presents the work of their students as part of the project SYNAAR, the Synthesis of Nature and architectue.
SYNNAR is a collaboration between the Escola da Cidade - Arquitetura e Urbanismo in Sao Paulo and the SAC. The project is collaboration to 2013 and includes various types of academic exchange and joint project work.
The project is based on Brazilian and European architecture and posits the possibilities of contemporary materials and technology Developments occur in the resulting challenges faced by the global architecture in the two areas. Under these conditions SYNAAR
trying new forms of formal and functional relationships between architecture and nature to explore. SYNAAR learns this from the theoretical models of both spheres. The qualities of artificial and natural systems include both the organization of form and their interaction at many levels of the exchange. In the context of sustainability as pervasive themes in the architecture, focusing specifically on SYNAAR to learn from nature in order to influence future development of the architecture.


The exhibition is divided into three parts:

VARIOUS
PANORAMA OF CONTEMPORARY BRAZILIAN ARCHITECTURE
The Panorama section of the exhibition of Contemporary Brazilian Architecture presents projects implemented in Brazil in recent decades. It consists of 50 panels that document the individual projects in text, drawings, photographs and concepts. The exhibition reflects the fascinating beauty of Brazilian culture and the great versatility of the contemporary national architecture.
The exhibition was curated by Ciro Pirondi and previously at Columbia University, New York and IIT, Chicago show.

SAC STUDENT WORK
'THE COUNTRY HOUSE' AND 'THE MEDIA VILLAGE'
The exhibition of the work of the students, the SAC shows 2009-10. have invited
AN ART EXHIBITION
OCEAN

As part of their end-of-Year events 2010 is particularly proud of the architecture class, a group of Frankfurt artists to exhibit selected works in the premises of the Diamond Exchange.
The group consists of Martin Neumaier, Hans Petri, Peyman Rahimi, BERNHARD SCHREINER, SEBASTIAN Stöhr, STEPHEN Suckale, NINA TOBIEN, Silke Wagner, STEFAN WIELAND and HOLGER LIBERTINE.

Invocation Prayer Baby Birthday

Ewa Lajer Burcharth: Paint and Person in Chardin

lecture
Ewa Lajer Burcharth Paint and person in Chardin
Wednesday 7 July, 19 clock, Aula

Event findet in englischer Sprache statt.

The lecture investigates Jean Siméon Chardin’s extremely successful yet enigmatically brief engagement with genre painting in order to recover the fundamental strangeness of these works. Although genre scenes have been widely recognized to constitute a major aspect of Chardin’s practice, their singularity as individual works and their odd status as a group in the painter’s oeuvre have not been sufficiently accounted for. Focusing on the structure and morphology of these works, especially on the role of the figure and Chardin’s idiosyncratic technique, I address the question of the relation between individuality and materiality as an artistic and cultural problem.

Ewa Lajer-Burcharth is William Dorr Boardman Professor of Fine Arts at Harvard University. While her focus has long been on eighteenth- and nineteenth-century European art and critical theory, she has also published essays on contemporary art, including artists such as Mona Hatoum, Cornelia Parker, Pipilotti Rist, Sam Taylor-Wood, Jane and Louise Wilson, Krzysztof Wodiczko and others. She is the author of Necklines: The Art of Jacques Louis David after the Terror (1999) and more recently of essays on Greuze, Fragonard, Chardin, and Boucher. She is currently a Fellow at the Wissenschaftskolleg zu Berlin where she is completing a new book titled Paint and Person in Eighteenth Century Art and is also working on a cultural study of interiors and interiority in the contemporary art.