Sample Transfer Shares

sight - much sympathy for old gold jewelry

The gift of gold and silver jewelry for the Red Cross aid against the poverty blindness, presented recently in the residential design business by Suzanne sea from the best. Our volunteer and professional woman, Sara von Moos, presented in the ancient area of the shop rings, necklaces, bracelets and pendants and generous in all its glory. This triggered in the viewer inside each immediately "Beautiful!" From.
donate old gold jewelry is a rewarding way of donating. For each piece of jewelry can find a suitable buyer. This happy it. With the purchase, it helps in terms of donor jewelry, children and adults in Asia and Africa to protect them from blindness. If the gem has been used for them, they sent it back probably at the SRC. Again there is a buyer or the jewelry is melted down, if it is defective or worn out. Thereby once again brought together a sum of money.


Sara von Moos knows about the jewels decision and competent information about it.

Three other artists also offered with love and joy of their unique creations for sale: paper so the designer Stephanie Luginbühl LUCKYOU for their service project, the glass and stone jewelry artist Catherine of Samson and the filigree designer Tove Rygg. In between earthed the colorful art of living sea living the many fantasies realized. We felt comfortable here, in the old town of Bern.
The event was the brainchild of four friends. They contacted all their friends and friends with a creative invitation. The guests arrived - and made the three days of their visit a success for all.


past, as now, gold jewelry a fascination. Here it is affordable and good for one thing.

Beatrix Spring, project manager eyesight give

old gold for eyesight

Community Service Letterhead Samples

VASIF KORTUN

Vortrag
Vasif Kortun: Instituting Now [in istanbul]
Dienstag, 30. November 2010, 19 Uhr, Aula

Vasif Kortun is a writer, curator and teacher in the field of contemporary art. He is the founding director of Platform Garanti CAC a non-profit contemporary art institution with an extensive library, documentation center, artist archives, exhibition space and an international residency program for artists, critics and curators. He also founded Proje4L, Istanbul Museum of Contemporary Art [2001- 2003], where he curated seminal exhibitions of artist from Turkey. The first director of the Museum of the Center for Curatorial Studies at Bard College [1994 and 1997], he organized the first U.S. museum exhibitions of artists like Kara Walker, Nedko Solakov and Boris Mikhailov. Vasif Kortun was the chief curator of the 1992, and co-curator of 2005 Istanbul Biennials; a co-curator of Sao Paolo [1998], Second Ceramics Biennial [Albisola, 2003], Taipei Biennial in [2008], He is the curator of the UAE Pavilion, Venice Bienial [2011]. He has curated the Turkish pavilions for 1994 and 1998 Sao Paolo and 2007 Venice Biennials. He is a board member of the Foundation for Arts Initiatives, and sits on the advisory committees of the Periferic Biennial; Artists Pension Trust Dubai, The Gyeonggi Creation Center, Korea, and Broadsheet Magazine Australia.

The lecture will revolve around questions of attempting to institute specificity with a focus on SALT a new program to open in Istanbul in the Spring of 2011th

What Happens When Rack And Pinion Goes

DJ SPOOKY

lecture
Paul D. Miller (DJ Spooky): Sound Unbound
Tuesday 14 December 2010, 19h, Aula

In cooperation with the World Culture Museum Frankfurt am Main.

Sound Unbound is Paul D. Miller 's follow up to his award winning first book
Rhythm Science (MIT Press, 2004). First and foremost, sound
Unbound is an anthology - it's a collection of thirty-six essays that focus on the
role of the artist, composer, and writer in a world that is becoming more interconnected
every day.
In a lecture format, exploring the overall theme of sound in contemporary
art, digital media, and composition, Miller reconstructs
the history of sound and recorded media by several of the most well
known artists of their field - ranging from Brian Eno, Steve Reich,
Moby, Chuck D, and Pierre Boulez, to artists, writers and theoreticians
like Jonathan Lethem, Bruce Sterling, Manuel Delanda, and even
Islamic culture's relationship to hip hop with essay by media activist
and artist Naeem Mohaimen. In using the essays that are in Sound
Unbound, Miller makes the lecture format a cross between a formal
exploration of the issues Sound Unbound focused on, and the remix
concept that drives much of the book. It's a rip-mix-burn-lecture.
Rhythm Science author Paul Miller aka DJ Spooky That Subliminal Kid asks artists to describe
their work and compositional strategies in their own words
. These are reports from the front lines on the role of sound and digital media in
of information-based society. Miller's lecture will be
an hour, and is Accompanied by his use of many historic texts, rare audio recordings and films
, to Demonstrate the complex relationship between text and art
in a multimedia context.


The event will be held in English.

Reading Product Dimensions

Tomas hurricane in Haiti: We expected the worst ...

"The tension was very high last week, we were preparing for the worst. Now we are relieved that the hurricane Tomas Haiti has only touched, "says Paul Rüegg, Head of Delegation of the Swiss Red Cross in Haiti.

Nevertheless, there were strong winds and very heavy rain. Many coastal towns were inundated. So the city Léogane, where the SRC has a relief camp.














SRC forklift in a relief camp in Haiti.

Fortunately, the camp was spared and the reconstruction of housing in Palmiste à Vin, above Léogane can be continued.

The SRC is building 600 homes there for families who are left homeless by the earthquake.

Images Copyright: SRK, Florian Kopp

Can You Grow Saffron In Arizona

MARKUS MIESSEN

lecture
Markus Miessen: Welcome to Harmon Istan!
Thursday 18 November 2010, 19 clock, Aula

Welcome to Harmon Istan! Over the last decade, the term “participation” has become increasingly overused. When everyone has been turned into a participant, the often uncritical, innocent, and romantic use of the term has become frightening. Supported by a repeatedly nostalgic veneer of worthiness, phony solidarity, and political correctness, participation has become the default of politicians withdrawing from responsibility. Similar to the notion of an independent politician dissociated from a specific party, this third part of Miessen’s “Participation” trilogy encourages the role of what he calls the “crossbench practitioner,” an “uninterested outsider” and “uncalled participator” who is not limited by existing protocols, and who enters the arena with nothing but creative intellect and the will to generate change. Miessen argues for an urgent inversion of participation, a model beyond modes of consensus. Instead of reading participation as the charitable savior of political struggle, Miessen candidly reflects on the limits and traps of its real motivations. Rather than breading the next generation of consensual facilitators and mediators, he argues for conflict as an enabling, instead of disabling, force. The book calls for a format of conflictual participation—no longer a process by which others are invited “in,” but a means of acting without mandate, as uninvited irritant: a forced entry into fields of knowledge that arguably benefit from exterior thinking. Sometimes, democracy has to be avoided at all costs.


Markus Miessen (*1978) is an architect, consultant, educator, and writer. In 2002, he set up Studio Miessen, a collaborative agency for spatial practice and cultural inquiry, and in 2007, he co-founded the London- and Berlin-based architectural practice nOffice. In various collaborations, Miessen has (co-)published: The Nightmare of Participation – Crossbench Praxis as a Mode of Criticality (Sternberg Press, 2010), Institution Building: Artists, Curators, Architects in the Struggle for Institutional Space (Sternberg Press, 2009), When Economies Become Form (Berlage Institute, 2009), East Coast Europe (Sternberg Press, 2008), The Violence of Participation (Sternberg Press, 2007), With/Without: Spatial Products, Practices, and Politics in the Middle East (Bidoun, 2007), Did Someone Say Participate? An Atlas of Spatial Practice (MIT Press, 2006), and Spaces of Uncertainty (Müller+Busmann, 2002). In 2008, The Independent listed Did Someone Say Participate? as one of the ten best architecture books of all time. Miessen frequently contributes to international magazines and journals, such as Artforum, Log, 032c, Bidoun, Volume, and Kaleidoscope. His work has been published and exhibited widely, including at the Lyon, Venice, Performa (NY), Manifesta (Murcia), and Shenzhen Biennials. He has taught and lectured at the Architectural Association, London (2004–08), the Berlage Institute, Rotterdam (2009–10), Columbia University, and MIT. He has consulted the Slovenian Government during Slovenia’s presidency of the EU council, the European Kunsthalle, the Serpentine Gallery, the Dutch organization SKOR, and the Swiss think tank W.I.R.E. In 2008, he founded the Winter School Middle East (Dubai/Kuwait). Miessen currently works (with Joseph Grima) as a Harvard Fellow on a research project in Kuwait, is a professor for architecture and curatorial practice at the Hochschule für Gestaltung (Karlsruhe), a Ph.D. candidate at the Centre for Research Architecture (Goldsmiths, London), an editor of Archive Journal (Berlin/Turin), and recently has been elected a member of the European Cultural Parliament.

Images Of An Ars Hiv Rash

THOMAS KEENAN

Vortrag
Thomas Keenan: Evidence and Exposure: On Antiphotojournalism
Freitag, 12. Novembert 2010, 19 Uhr, Aula

Artists, reporters, citizens, scholars, activists and archivists are doing exciting things that link the image to political and social struggles, often in unexpected ways. Their work is interesting in its own right, and for the deeper questions it often raises about the fundamental concepts of photojournalism. What are evidence, access, coverage, reporting, bearing witness, and how are these practices in their hegemonic form increasingly fragile and open to reconsideration?

Thomas Keenan is Director of the Human Rights Program at Bard College, New York. He is a writer and educator whose work addresses literary and political theory, the role of the media in states of conflict, and human rights. He is the author of "Fables of Responsibility: Aberrations and Predicaments in Ethics and Politics" (1997) and the editor of "The End(s) of the Museum" (1996), coeditor of "New Media, Old Media" (2005) and "Paul de Man, Wartime Journalism, 1939–1943" (1988). He is an editorial and advisory board member of the Journal of Human Rights, Grey Room, WITNESS, and Scholars at Risk Network. (1999– ). He recently co-curated "Antiphotojournalism" at La Virreina Centre de la Imatge in Barcelona, including artists such as Phil Collins, Hito Steyerl, Renzo Martens andd Walid Raad.

Cn200 Ethernet Pro Treiber

EYAL WEIZMAN

Vortrag
Eyal Weizman: Forensic Architecture
Donnerstag, 11. November 2010, 19 Uhr, Aula

The principle of forensics assumes that events, as complex and multivalented as they might be, are registered within the material properties of objects, bodies or spaces – relational objects that we will refer to as “things”. The principle of forensics assumes two interrelated sets of spatial relations. The first is a relation between an event and the objects in which it is registered, and the second is a relation between the object and the forum that is assembled around it. Forensics is thus both the investigation of objects and the creation of forums.

Eyal Weizman is a writer and architect; director of the Centre for Research Architecture at Goldsmiths, University of London. Since 2007 he is a member of the architectural collective Decolonizing Architecture in Beit Sahour/Palestine which has received the 2010 Prince Claus Award for Architecture. His books include "The Lesser Evil" (Nottetempo, 2009, Verso Books forthcoming 2011), "Hollow Land" (Verso Books, 2007), "A Civilian Occupation" (Verso Books, 2003), the series "Territories", and many articles in journals, magazines and edited books. Weizman is a regular contributor and an editorial board member for several journals and magazines including Humanity, Cabinet and Inflexions. Weizman has curated the exhibition "Territories" at KW, and participated Numerous exhibitions in search as Manifesta 7 (2008) and Bozar in Brussels (2009).

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WILLEM DE ROOIJ

cordially invited to the events of Städelschule!

lecture
Willem de Rooij: About
Tuesday 16 November 2010, 19 clock, Aula

Willem de Rooij's work is Determined by the selection and combination of images in various media, searchable as sculpture, film, photography and text. His work Analyze the conventions of presentation and representation and Assesses the tension between socio-political and autonomous image production. Where early film installations already had a sculptural quality, his most recent exhibitions became works of art in their own right, often incorporating found materials or appropriated works of art.
De Rooij's lecture will focus on works produced over the last 5 years, and especially on his most current installation 'Intolerance' which is on show at the Neue Nationalgalerie in Berlin till January 3 2011. www.intolerance-berlin.de

Willem de Rooij (*1969) studied at the Gerrit Rietveld Academie in Amsterdam from 1990-95 and at the Rijksakademie there from 1997-98. He has been a tutor at De Ateliers in Amsterdam since 2002 and professor of fine arts at the Städelschule in Frankfurt am Main since 2006. The artist lives and works in Berlin.
Joint exhibition activities with Jeroen de Rijke till 2006, followed by exhibitions at K 21, Düsseldorf (2007) and at the Museo d’Arte Moderna di Bologna (2008). Robert Fulton Fellowship at Harvard University in 2004 and representation of the Netherlands at the Venice Biennale in 2005. Among other institutions, his works can be found in the collections of the National Gallery in the Hamburger Bahnhof - Museum für Gegenwart, Berlin, at the MUMOK in Vienna, and the MoMA in New York.

Example Of Community Service

ANSELM HAVERKAMP

keynote address at the opening event of the Masters Course Curatorial and Critical Studies
Anselm Haverkamp: Unidentified Cultural Objects - The time of the curators
Tuesday 2 November 2010, 17 clock, Goethe University Frankfurt

The paper deals with the interdisciplinary subject of Curatorial Studies in the current state of the cultural capital.
Anselm Haverkamp teaches literature and philosophy in New York, Berlin and Munich. After the Habilitation in Konstanz, he first went to Yale and from there to New York where he is since 1989 Professor of English at NYU. From 1996 to 2009 he was also a founding professor at the Humanities Faculty at the European University Viadrina held, where he founded two DFG-Graduate College and the integral master's degree in literature and art philosophy.

Venue: Goethe-University Frankfurt

Campus Bockenheim
Jügelhaus
Mertonstr.17 HA-21 60325 Frankfurt