Monday, November 22, 2010

Sample Transfer Shares

sight - much sympathy for old gold jewelry

The gift of gold and silver jewelry for the Red Cross aid against the poverty blindness, presented recently in the residential design business by Suzanne sea from the best. Our volunteer and professional woman, Sara von Moos, presented in the ancient area of the shop rings, necklaces, bracelets and pendants and generous in all its glory. This triggered in the viewer inside each immediately "Beautiful!" From.
donate old gold jewelry is a rewarding way of donating. For each piece of jewelry can find a suitable buyer. This happy it. With the purchase, it helps in terms of donor jewelry, children and adults in Asia and Africa to protect them from blindness. If the gem has been used for them, they sent it back probably at the SRC. Again there is a buyer or the jewelry is melted down, if it is defective or worn out. Thereby once again brought together a sum of money.


Sara von Moos knows about the jewels decision and competent information about it.

Three other artists also offered with love and joy of their unique creations for sale: paper so the designer Stephanie Luginbühl LUCKYOU for their service project, the glass and stone jewelry artist Catherine of Samson and the filigree designer Tove Rygg. In between earthed the colorful art of living sea living the many fantasies realized. We felt comfortable here, in the old town of Bern.
The event was the brainchild of four friends. They contacted all their friends and friends with a creative invitation. The guests arrived - and made the three days of their visit a success for all.


past, as now, gold jewelry a fascination. Here it is affordable and good for one thing.

Beatrix Spring, project manager eyesight give

old gold for eyesight

Monday, November 15, 2010

Community Service Letterhead Samples

VASIF KORTUN

Vortrag
Vasif Kortun: Instituting Now [in istanbul]
Dienstag, 30. November 2010, 19 Uhr, Aula

Vasif Kortun is a writer, curator and teacher in the field of contemporary art. He is the founding director of Platform Garanti CAC a non-profit contemporary art institution with an extensive library, documentation center, artist archives, exhibition space and an international residency program for artists, critics and curators. He also founded Proje4L, Istanbul Museum of Contemporary Art [2001- 2003], where he curated seminal exhibitions of artist from Turkey. The first director of the Museum of the Center for Curatorial Studies at Bard College [1994 and 1997], he organized the first U.S. museum exhibitions of artists like Kara Walker, Nedko Solakov and Boris Mikhailov. Vasif Kortun was the chief curator of the 1992, and co-curator of 2005 Istanbul Biennials; a co-curator of Sao Paolo [1998], Second Ceramics Biennial [Albisola, 2003], Taipei Biennial in [2008], He is the curator of the UAE Pavilion, Venice Bienial [2011]. He has curated the Turkish pavilions for 1994 and 1998 Sao Paolo and 2007 Venice Biennials. He is a board member of the Foundation for Arts Initiatives, and sits on the advisory committees of the Periferic Biennial; Artists Pension Trust Dubai, The Gyeonggi Creation Center, Korea, and Broadsheet Magazine Australia.

The lecture will revolve around questions of attempting to institute specificity with a focus on SALT a new program to open in Istanbul in the Spring of 2011th